by MaximumZorch » Fri Apr 14, 2006 4:46 pm
Given a 'real world' approach to understand just about anything in Ranma, or at least to make sense of it, is close to spinning your wheels.
Don't get me wrong, I spend waaaay too much time thinking about the valley of sorrow, and Ranma 1/2 in particular, to criticize that. However, my approach to my attempts to understand the Takahashi universe is more literary than literal.
From this perspective, it is important to note a couple behaviours:
1) Time never changes, although people may. New techniques(chestnut fist), new relations(people), and development of history(Mrs. Tendo's grave), all bring to light new elements of the character dynamic. However, all the major time keeping elements never really advance, like high school grade. There are many times where a holiday occurs, or the seasons change, events take place, or what have you, but it doesn't impact the characters in their lives.
This is most notable in the anime, where the whole of the group goes on vacation, deals with snow(rather rare in Toukyou), or just the celebration of a holiday. In the anime, they make references (well, in-jokes) to "next week" as "next episode", even as early as the first season. Even so, every time you see the characters in school, they reside in the same rooms and attend the same class.
Also, there seem to be only three major time-frames, the Present, the near past, the far past. There would be four only if you consider the Magic Mirror episode. The "Present" starts with Ranma arriving at the Tendo dojo, and ends with the battle with Saffron. The "Near Past" includes pretty much anything that Ranma can remember, the first meeting with Ukyou, Ryouga, Shampoo, the Cat-Fist, Jusenkyou, Dragon Whisker Soup, but before he arrives at the Tendo's. The "Far Past" is before this, typically before Happosai got sealed, or before Genma
2) With the exception of some of the technology(video games specifically), almost everything else is a prop or tool. I mean that specifically that in a literary, or even visual sense, the magic, technology, curses, ghosts, watermellons, what-have-you, are all vehicles to tell the story.
This is most notably present in the manga, where Ranma, Nabiki, Genma and even Soun have used the wireless mic, but in each case tends to show something a little different. In a real way, to amplify soem characteristic of their speech.
Or for that matter, the ever-present wooden mallet. Not just Akane's weapon of choice in the manga, everyone uses it to depict a rather 'sanitized' beat down over a few panels.
So, in my understanding of Jusenkyou, at least in a literary scheme, it is a tool for the writer, without the need of self consistancy, but with a definite humorous streak.
Outside of that, the victims of jusenkyou always have a fallacy of understanding.
Ranma: boy vs girl, treated poorly vs kindly
Ryouga: man vs pig, strong vs weak
Shampoo: woman vs cat, (from Ranma) amourous vs terrified
Genma: man vs panda, capable vs incapable, (like answering the phone or just plain communicating)
Mousse: man vs duck, subservient vs free
Herb: guy vs girl, oppressor vs oppressed (lime and mint: "Hmmm boobies")
Tarou: Beauty vs Beast, appearance vs nature
The similarities, when taken in a literary sense, are very close. Yet in a literal sense jusenkyou has no rhyme or reason in an atomic fashion(pulled out of context). This is an issue of the suspension of disbelief, "It works that way because it does, and when looked at this way it's funny!"
As far as the whole "the curses mix" issue, there are several times that the "nannichuan" seem to be the "fix" for the curse: the japanese nannichuan and instant nannichuan, both of which only show how conniving and desperate the cursed really are. Let's not forget the "last cask of Nannichuan" from the jusenkyou guide for Ranma's wedding present. That one doesn't make sense, as the guide knows what would happen should Ranma get splashed with it(spring of drowned hermaphrodite would be my best guess), unless it's meant for his wife.
Fact of the matter is that jusenkyou is a place of metamorphosis. It is used as punishment by the amazons, ascension by the pheonix, procreation by the musk, and entertainment by the guide.
Even so, there is the Jusenkyou Oversight Commitee(at least in the anime) to prevent the abuse of the cursed forms. It was of their opinion that both Ranma and Genma were "stubborn" for not responding to the "training" of repeated dunking in hot and cold water to "learn" that it wasn't a "curse" and then it wouldn't affect them. I still laugh at that one. Of course Ranma wouldn't get it. Then it would no longer be two halves of which Ranma is but one.
Attributing a conciousness, reason, effects or just trying to quantify the Pools of Sorrow makes for a Keanu Reeves moment "Woe, I know Kung Fu".
It should at most be a vehicle for the further exploration of the Takahashi Universe. A great number of series have done this(Comes the Cold Dragon, Waters Under Earth, Ranmazoku even the FukuFics like Sailor Ranko).
So my response to this is to write a couple of stories that illustrate your points, within the Ranma 1/2 storyline, that does not break the episodic/static nature of the world. It's not as easy to do as say.